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By John Claude Smith

While enigmatic poet Henry Coronado disappears six months after the hot Year's Eve, 1959, Welcoming Chaos occasion, he is taking with him a profound mystery wrapped in the phrases of his poem, Autumn within the Abyss. Fifty years later, an ailing man's learn into Coronado's paintings and existence unearths that poetry can certainly swap the area, or depart it in ruins.

The note is a dwelling thing…and usually with deadly intentions.

Reality is the strangest mirror...

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I then thought that my father would be unjust if he ascribed my neglect to vice or faultiness on my part, but I am now convinced that he was justified in conceiving that I should not be altogether free from blame. A human being in perfection ought always to preserve a calm and peaceful mind and never to allow passion or a transitory desire to disturb his tranquillity. I do not think that the pursuit of knowledge is an exception to this rule. If the study to which you apply yourself has a tendency to weaken your affections and to destroy your taste for those simple pleasures in which no alloy can possibly mix, then that study is certainly unlawful, that is to say, not befitting the human mind.

I could not doubt it. The mere presence of the idea was an irresistible proof of the fact. I thought of pursuing the devil; but it would have been in vain, for another flash discovered him to me hanging among the rocks of the nearly perpendicular ascent of Mont Saleve, a hill that bounds Plainpalais on the south. He soon reached the summit, and disappeared. I remained motionless. The thunder ceased; but the rain still continued, and the scene was enveloped in an impenetrable darkness. I revolved in my mind the events which I had until now sought to forget: the whole train of my progress toward the creation; the appearance of the works of my own hands at my bedside; its departure.

It was with these feelings that I began the creation of a human being. As the minuteness of the parts formed a great hindrance to my speed, I resolved, contrary to my first intention, to make the being of a gigantic stature, that is to say, about eight feet in height, and proportionably large. After having formed this determination and having spent some months in successfully collecting and arranging my materials, I began. No one can conceive the variety of feelings which bore me onwards, like a hurricane, in the first enthusiasm of success.

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